My training is in contemporary and improvisational dance.
I’d been teaching dance for several years, when one day a
nagging pain in my lower back, which I’d been ignoring for
some time, became very intense. I could ignore it no longer and I
had to stop teaching as well as dancing, and took up administrative
work instead. In the following three years the pain in my back
became a barrier, something that stopped me doing things that I
loved doing — dancing, walking in the countryside, going to
art galleries — even standing in supermarket queues became an
ordeal. I felt down and exhausted. It seemed that my life and
career options were closing down. I could no longer pursue teaching
dance as a career, nor anything that involved walking or standing
— a lifetime of sitting doing administrative jobs was not
appealing to me!
I’d been to see several practitioners: physiotherapist,
osteopath, chiropractor and acupuncturist. None of them could see
anything wrong with my back, but the pain was definitely there. I
was at a loss. Then on the suggestion of a friend, I went to see a
Feldenkrais practitioner. I didn’t get a cure, but I did get
some very precise information about my ingrained movement habits
— for example I turn a little to the right, put more weight
on my left foot, arch my back. At last — someone saw
something to help me shed light on the matter.
Intrigued (and desperate) I began getting regular Feldenkrais
lessons, both in a group and individually. When the opportunity
came up to train in the Method, I went for it. Over the next four
years I learned a lot about movement and about myself. I discovered
that I use my will to push and make things happen, that I tense up
and hold my breath when I do things. Gradually I learned how to
slow down and pay attention to what I am doing. I also had to face
the pain in my back —-- to welcome it as part of me —
not a problematic thing apart from me. During the first two years
the back pain was my ever-present companion — nagging away in
the background. However, rather than focus on what I couldn’t
do, I began to discover what was possible in my movement: freedom
in my shoulders and chest, flexibility in my ribs and lightness in
my walk. I continued my own dance practice and my way of moving, as
well as my posture, completely changed — becoming more fluid
and connected. Then suddenly, at the end of two years, the pain
disappeared.
Six years later, the vulnerability in my lower back, which I now
suspect is connected to a fall I’d had in a dance workshop
many years ago, is still there. I have to be careful not to overdo
things, but most of the time I’m pain free. I dance, go for
long walks, swim and garden — all physical activities I love
doing. If I do overdo things, the pain doesn’t last for long,
like it used to. I’m lighter in my movement and my approach
to life. Learning the Feldenkrais Method changed my way of seeing
life from one of restriction to one of possibility. I have learned
to listen to myself, respect my limits and appreciate the quality
of how I do things, rather than just the speed or final result.
More than anything I’ve learned to enjoy the pleasure of
movement itself.